The Hay 30 – Mariana ENRÍQUEZ

Mariana Enriquez (Buenos Aires, 1973) is one of the most spellbinding narrators in Latin American literature. Her debut novel Bajar es lo peor (1995) was published when she was a teenager, followed by the novel Cómo desaparecer completamente (2004) and the story collection Los peligros de fumar en la cama (2009; 2017), shortlisted for the 2021 International Booker Prize and finalist of the Kirkus Prize. She has been featured in countless anthologies, as well as in The New Yorker, Freeman’s, McSweeney’s, Granta UK, Granta en Español, Virginia Quarterly Review and Asymptote. She also has a collection of chronicles on cemeteries she has visited around the world, titled Alguien camina sobre tu tumba (2014, 2021). Her breakthrough story collection Las cosas que perdimos en el fuego (2016) entered the bestseller lists in Spain and Argentina, and is translated into 30 languages, and her novel Nuestra parte de la noche won the Herralde Novel Prize in 2019, the Premio Celsius, the Premio Kelvin 505, and most noteworthy, the Premio de la Crítica in 2019.

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The Hay 30 is made possible by the generous support of the CASE foundation.

All Events for this artist

Querétaro 2016

Dos reputadas autoras conversan con la escritora y académica Magali Velasco sobre sus últimas colecciones de narrativa. Mariana Enríquez, autora argentina cuyo último libro de cuentos, Las cosas que perdimos en el fuego, ha sido traducido a más de veinte idiomas, es además periodista y editora. Gabriela Jauregui (México), autora de La memoria de las cosas, compilación de relatos publicada en 2015, también trabaja como editora y escribe crítica de arte.

Querétaro 2016

Gala de los pequeños homenajes

Querétaro 2016, 

Lecturas de prosa y poesía pensadas como pequeños homenajes a los héroes literarios de algunos de los invitados del festival. Con Martha Favila (México), Gabriela Jauregui (México), Carolina Sanín (Colombia), Juan Cárdenas (Colombia), Mariana Enríquez (Argentina), Martín Kohan (Argentina), Rodrigo Blanco Calderón (Venezuela) y Gabriela Ybarra (España). Evento moderado por Ricardo García Mainou.

Hay Festival 2017

Mariana Enriquez and Lisa McInerney talk to Rosie Goldsmith

Fictions: Tales of the City

Hay Festival 2017, 

Thrilling and terrifying, The Things We Lost in the Fire takes the reader into Enriquez’s world of Argentine Gothic: of sharp-toothed children, of women racked by desire, of demons who lurk beneath the river, of stolen skulls and secrets half-buried under Argentina’s terrible dictatorship. McInerney follows her Baileys Prize-winning debut The Glorious Heresies with The Blood Miracles. The novel is set again in Cork with her vital, brilliant language and storytelling playing out the life and misdemeanours of Ryan Cusack.

Dallas 2024

Mariana Enriquez in conversation with Sarah Hepola

Haunting tales of horror and Argentine reality

Dallas 2024, 

Argentine author Mariana Enriquez discusses her latest work and the haunting themes that permeate her writing. Moderated by bestselling author and journalist Sarah Hepola, this conversation will delve into Enriquez's new book, A Sunny Place for Shady People, along with her celebrated collections Things We Lost in the Fire and The Dangers of Smoking in Bed

Mariana Enriquez is known for her ability to weave horror and the supernatural with the stark realities of contemporary Argentine life. Her stories explore violence, death, and the dark undercurrents of society, offering readers a unique blend of literary horror and social commentary. In A Sunny Place for Shady People, she continues to push the boundaries of genre, and this conversation will offer insights into her creative process and the themes that drive her work.

Sarah Hepola, whose memoir Blackout: Remembering the Things I Drank to Forget became a New York Times bestseller, will guide the discussion. With her experience in tackling complex and personal subjects, she is the perfect moderator to explore the depths of Enriquez's dark and enthralling literary world.

This event is a must for fans of literary horror, those curious about contemporary Latin American fiction, and anyone interested in how stories can reflect and distort the realities we live in.

Simultaneous interpretation from Spanish to English available