Marisa Godinez (Peru) studied at the PUCP’s School of Art. In 1978 she was invited to work with Monos y Monadas, where she created a series of drawings so unique that it went beyond that iconic magazine’s context of satirical humour and political caricature. In addition to publishing in other newspapers and magazines, in 1980 she joined the Flora Tristán Centre, where she was in charge of the entire graphic line and publications. It was also there that she began her formal activism in the Peruvian feminist movement. She is currently working on an artistic project in which the rescue of individual memory is interwoven with questions about the condition of women in Peruvian society.