Slow Fiction is inspired by the predella, the sequence of four or five pictures under a Renaissance altarpiece that tell the story of the annunciation, the adoration, or the pietà. If the large altarpiece painting is one moment in time, the predella shows the moments leading up to that key frame and sometimes what happens after. The artist Paul St George works with writers, translating selections of their writing into small sequences of sculptures making three-dimensional stories. Two of the first authors to be excited by this new way of bringing readers to writing are Polly Stenham, author of Hotel, and Jessie Burton, author of The Miniaturist: ‘To see my written words reimagined for a different audience, giving another take on the story-telling process – what we omit, what we emphasise, and what we leave behind – in a newly-configured presentation, is a true thrill.’