Something gleeful and malevolent is moving in Lia’s body. It’s learning her life from the inside. It shape-shifts down the banks of her canals, leaks through her tissue, nooks and nodes. It taps her trachea like the bones of a xylophone. It’s spreading. When Lia finds out that her cancer is back, she tries to keep the landscapes of her past, her present and her body separate; for the sake of Iris, her daughter, and for her husband, Harry, desperate to keep their lives flourishing. But bodies are porous, unpredictable places… As Lia’s condition worsens, the narrator inside her strengthens; the boundaries between her past, her present and her body begin to leak and spill.
Maddie Mortimer’s accomplished debut novel is a story of coming-of-age at the end of a life. Utterly heartbreaking yet darkly funny, it’s a symphonic journey through one woman’s body: a wild and lyrical celebration of desire, forgiveness and the darkness within us all. She talks to Sarah Moss, Women's Prize-shortlisted author of Ghost Wall and Summerwater.
